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By Tom Miller
I went to jail on my first visit to Bisbee, Arizona, more than thirty years ago. A friend had been imprisoned in the copper mining town for anti-war activity and to cheer him up a bunch of us hopped in a van and drove 95 miles southeast from Tucson to the Cochise County lockup. Ernie was soon released, but Bisbee captivated me. It was still a womb-to-tomb company town, but in the mid-1970s the company stopped mining and Bisbee threatened to show up next in ghost-town guidebooks. Attracted by this sorry state of affairs, new pioneers straggled in by ones and twos, arriving in VW vans and secondhand pickups from throughout the West. Word got out that there was no work in Bisbee, and that attracted more people.
Old Bisbee still startles first-time visitors with its narrow, twisting streets, its tin-roofed houses precariously positioned on angular hillsides, its steep cement stairs that no mail carrier dare climb. The gentle breeze blowing through town seems to come from the WPA era.
Bisbee's appeal lies in its satisfaction with making ends meet and the suspicion of anything more grandiose. On occasion, a gentrification disturbance threatens and shops become shoppes, but the gathering clouds soon dissipate, the turnover of stores on Main Street continues, and Bisbee retains its reputation as America's only town with a maximum wage.
Bisbee remains the capital of what some call the Free State of Cochise -- a mix of ornery cultures linked by geography and independence. Cochise County itself, which contains mountain ranges with lovely names like Chiricahua, Huachuca, and Peloncillo, lies closer to Mexico than to the United States, though it pretty much ignores the laws of both. What appeals to me most about the capital of the Free State of Cochise, I suppose, is its natural continuity. When plums and other fruit fall off the trees, it's not uncommon to see javelina snorfing around, chomping them off the ground. In the monsoon season storms rush through the canyons, and clouds bounce back and forth between the mountain walls that define the town's outer limits. It's inspiring to watch the power go out, candles light up, and gullies overflow. At sundown, a stand of back-lit tamarisks shuddering in the distance resembles an impressionist painting.
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Tom Miller
Jack Ruby's Kitchen Sink
TRAVEL NARRATIVE 2001
PAPER 250 PAGES
Tom Miller's eight books include The Panama Hat Trail, On the Border, Trading with the Enemy,
and Jack Ruby's Kitchen Sink, from which this piece has been adapted. Miller, who lives in Arizona,
co-directs the annual U.S.-Cuba Writers
Conference. (USW327, $14.00)
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